Designer marks

Charles Loloma hallmark

Charles Loloma hallmark includes incised “Charles / Loloma / 53” on Earthenware / stoneware. His wife, Otellie, also worked in ceramics.

Active years
From 1939
Products
Pottery, Jewelry, Paintings, Murals
Marks
4

He made murals in 1939, pottery after postwar study, and jewelry from the mid-1950s into the 1980s. Died in 1991.

What to look for

Marks & lettering

4 marks
Charles Loloma mark

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Undated

Charles / Loloma / 53

Full first name and surname in two scratched lines, with a separate 53. Distinguish the existing arched LOLOMA 51 pottery signature.

incised · Earthenware / stoneware

About Charles Loloma

Charles Loloma was born in 1921 at Hotevilla on the Hopi Reservation in Arizona. He first worked in painting, participating in mural work in San Francisco in 1939. After military service during the Second World War, he studied ceramics at the School for American Craftsmen at Alfred University. His wife, Otellie, also worked in ceramics. The couple later made and sold pottery at Lloyd Kiva New’s craft center in Scottsdale.

Lolomaware used wheel-thrown forms and kiln-fired glazes, differing from the hand-built methods associated with much Hopi pottery. Loloma increasingly concentrated on jewelry from the mid-1950s. He combined silver or gold with turquoise, lapis lazuli, coral, wood and other materials. His experiments included tufa casting, sculptural arrangements of stones and inlay concealed on the inner surfaces of jewelry.

Loloma taught in Arizona and at the Institute of American Indian Arts in Santa Fe. He returned to Hopi in the mid-1960s and continued developing his jewelry practice. Apprentices included his niece Verma Nequatewa, who became known as Sonwai. His ceramics and jewelry entered museum collections, including the Museum of Arts and Design and the Smithsonian American Art Museum. He died in Phoenix in 1991.

Also known as: Loloma · Lolomaware · Charles Sequevya Loloma

Look-alikes & how to tell them apart

Otellie Loloma

Charles’s wife made ceramics in the shared studio. Her own full-name signatures identify her work and must not be shortened to Charles’s attribution.

Sonwai / Verma Nequatewa

Loloma’s niece and apprentice continued a related jewelry tradition under her own name. A Sonwai attribution is not a Charles Loloma signature.

Imitations carrying Loloma signatures

Copied names occur on imitations. Compare the complete object, ownership history and lettering.