Pottery & porcelain

Laura Andreson marks

28 marks.

Products
earthenware, porcelain, stoneware
Marks
28

Dated marks & timeline

28 marks
Laura Andreson mark

themarksproject.org

Undated

Mark image

The source dates the illustrated example to 1975-1981; this does not establish the full period of mark use.

Laura Andreson mark

themarksproject.org

Undated

porcelain

The source dates the illustrated object to 1975-1981; this does not establish the full period of mark use.

porcelain

Laura Andreson mark

themarksproject.org

Undated

Mark image

The source dates the illustrated object to 1938; this does not establish the full period of mark use.

Laura Andreson mark

themarksproject.org

Undated

porcelain

The source dates the illustrated object to 1961; this does not establish the full period of mark use.

porcelain

Laura Andreson mark

themarksproject.org

Undated

Mark image

The source dates the illustrated example to 1958; this does not establish the full period of mark use.

Laura Andreson mark

themarksproject.org

Undated

earthenware

The source dates the illustrated object to 1948; this does not establish the full period of mark use.

earthenware

Laura Andreson mark

themarksproject.org

Undated

KENNETH

The source dates the illustrated example to 1953; this does not establish the full period of mark use.

Laura Andreson mark

themarksproject.org

Undated

Mark image

The source dates the illustrated example to 1961; this does not establish the full period of mark use.

Laura Andreson mark

themarksproject.org

Undated

Mark image

The source dates the illustrated example to 1938; this does not establish the full period of mark use.

Marks 25–28
Laura Andreson mark

themarksproject.org

Undated

KENNETH

The source dates the illustrated object to 1953; this does not establish the full period of mark use.

stoneware

About Laura Andreson

Laura Andreson (1902–1999) made simple vessel forms and developed clay bodies, glazes and firing techniques. She taught at UCLA from 1933 to 1970 and founded its ceramics program in 1934. Her work progressed from low-fired earthenware to stoneware and porcelain, influenced by Scandinavian forms, Persian reduction firing and Japanese colors.