Country guide

Kutani mark

Kutani is a porcelain tradition of Ishikawa Prefecture, centred on Kaga, Komatsu, Nomi and Kanazawa, rather than a single factory. Its early history begins in the seventeenth century. The original kilns stopped around the beginning of the eighteenth century; production revived in the nineteenth century through several kilns and workshops. Yoshidaya revived production in 1824 and moved its kiln to Yamashiro in 1826. Brilliant overglaze enamels, red painting and gold decoration developed into different Kutani styles.

Key makers’ marks

13 marks
Kutani marks mark, c. 1868–1912

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Seirando (Kawajiri Kihei)

c. 1868–1912

大日本九谷 青藍堂製

The 青藍堂 studio name inside the rectangle identifies this form; 大日本 alone is not an exact date.

painted · porcelain · Japan

Kutani marks mark, c. 1868–1912

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Watano; Nishimura Saichi (decorator)

c. 1868–1912

Two red columns: merchant and province at right, painter at left

The separate painter column identifies Nishimura; Watano is the merchant or producer name, not that painter.

painted · porcelain · Japan

Kutani marks mark, c. 1868–1912

orientalantiques.co.uk

Wataya (probably Wataya Heibei)

c. 1868–1912

九谷造 綿谷製

綿谷 reads Wataya; distinguish it from the similar merchant name 綿野 or 綿埜, Watano.

painted · porcelain · Japan

Kutani marks mark

theoldstuff.com

Japanese

Undated

Japanese

Japan

The right-hand column reads Kutani.

Kutani marks mark

orientalantiques.co.uk

Unidentified Kutani workshop

Undated

福

The square 福 seal is a blessing rather than an individual signature; it also occurs on later wares.

painted · porcelain · Japan

Kutani marks mark

orientalantiques.co.uk

Higashi Fujiaki

Undated

九谷 富士明

富士明 names the decorator; the blue-green square differs from the plain regional 九谷 marks.

painted · porcelain · Japan

Kutani marks mark

orientalantiques.co.uk

Kaburaki

Undated

加賀 九谷 鏑木製造

Read 鏑木 as the business name; the foundation date does not date this particular stamp.

painted · porcelain · Japan

Kutani marks mark

orientalantiques.co.uk

Unidentified Kutani workshop

Undated

九谷

The double square and blue script distinguish this design from the red open-script regional marks.

underglaze painted · porcelain · Japan

Kutani marks mark

orientalantiques.co.uk

Unidentified Kutani workshop

Undated

九谷製

製 means made; there is no individual maker name in this three-character form.

painted · porcelain · Japan

Kutani marks mark

orientalantiques.co.uk

Momota

Undated

百田造

The fan-shaped reserve and right-to-left name separate this version from a plain Momota signature.

painted · porcelain · Japan

Kutani marks mark

orientalantiques.co.uk

Takayama

Undated

高山画

画 identifies the painter; distinguish 高山 from other names ending in 山.

painted · porcelain · Japan

Kutani marks mark

orientalantiques.co.uk

Uchida / Uchita

Undated

九谷 打田製

The lower 打田製 signature identifies the name; 九谷 at the top is the regional designation.

painted · porcelain · Japan

Kutani marks mark

orientalantiques.co.uk

Watano Trading Company

Undated

大日本 綿埜製

The 埜 character in 綿埜 differs from 野 in another Watano spelling; compare the complete signature.

painted · porcelain · Japan

About Kutani marks

Export production expanded during the Meiji period, 1868–1912. Workshops, painters and merchants could all contribute to one object. Kaburaki sold and commissioned decorated porcelain in Kanazawa, while Watano and Wataya names appear on export wares. Kutani Shoza’s workshop helped establish elaborate gold decoration. A merchant’s name therefore need not identify the potter who formed the body.

The characters 九谷 read Kutani. Additional characters may identify a workshop or painter: 製 and 造 indicate making, while 画 indicates painting. Read a vertical inscription from the top down, taking the right-hand column before the left. 福, meaning good fortune, is an auspicious mark shared by different workshops. It also occurs on later pieces and other Japanese porcelains. Compare the whole mark, porcelain body and decoration together; neither red lettering nor a square seal gives a date by itself.

How to read the marks

Start inside the foot rim, then check for a second signature or label elsewhere on the base.

Find 九谷 before reading additional columns; preserve their arrangement.

Read vertical columns from top to bottom and normally from right to left.

Separate merchant or workshop names from a painter named beside 画.

Compare seals and characters exactly, especially Wataya 綿谷 and Watano 綿野/綿埜.

Key makers

Kaburaki

Kanazawa, Ishikawa, Japan · 1822–present

Merchant and decorating business producing and commissioning Kutani tableware and ornaments.

Kutani Shoza

Terai, Ishikawa, Japan · Workshop established 1841; Shoza lived 1816–1883.

Gold-decorated export porcelain.

Yoshidaya kiln

Kutani, then Yamashiro, Ishikawa, Japan · Founded 1824; moved 1826; subsequent owners used the kiln site until 1940.

Revival Kutani porcelain, especially green, yellow, blue and purple decoration.

Watano Trading Company

Ishikawa; export offices in Kobe and Yokohama, Japan · Meiji-period business spanning three generations.

Export porcelain commissioned or marketed under the Watano name.

Wataya

Japan; Yokohama export shop · Meiji period.

Decorated Kutani export porcelain.

Higashi Fujiaki

Japan · Twentieth century; born in 1928.

Painted Kutani porcelain.

Momota

Japan · Early twentieth-century example.

Decorated Kutani porcelain.

Nishimura Saichi

Japan · Meiji-period examples.

Painted decoration on porcelain marketed by Watano.

Seirando (Kawajiri Kihei)

Kobe, Japan · Meiji period.

Kobe studio producing decorated Kutani porcelain.

Takayama

Japan · Early twentieth-century example.

Painted Kutani porcelain.

Uchida / Uchita

Japan · Undated.

Signed Kutani porcelain.

Look-alikes & fakes

Satsuma-style decorated porcelain

Gilded figures and dense decoration can resemble Satsuma. Check the porcelain body and full inscription; decorative style alone does not identify the kiln.

Arita / Imari 福 marks

福 is also found on Arita and Imari porcelains; compare the complete object and inscription rather than assigning every square 福 to Kutani.

Later Ko-Kutani-style reproductions

Later dishes repeat early palettes and square 福 marks. A Ko-Kutani-style design is not a seventeenth-century date.

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